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Photos complimentary of Vogue |
It’s the last day of Paris Fashion Week fall 2016 and, while everyone is already tying up the loose ends trying to understand what fashion will be all about next fall, some of the biggest brands are still frantically showcasing their collections. Almost bicentenary Louis Vuitton is among those brands that are waving the Paris Fashion Week goodbye with their catwalks, just unveiling its fall/winter 2016-17 ready-to-wear collection at the Fondation Louis Vuitton. Nicolas Ghesquière’s next season collection was showcased on a specifically blue-toned space set at the Bois de Boulogne Park in Paris,
which helped evoke some cool autumnal/wintery feels indeed.Like Chanel’s front side row last night, Louis Vuitton’s was also loaded with significant individualities, such as Alicia Vikander, Selena Gomez, Léa Seydoux and Catherine Deneuve, among which Willy Smith’s son Jaden Cruz absolutely separated itself of the audience (like his sis Willow, who has now formally become Chanel’s product ambassador). Genderless style fanatic Jaden Cruz has been smashing the limitations of favor for a while now, and since previously last year he has seen in Louis Vuitton a great resource of motivation for testing with outfits.
And testing through style is one of Louis Vuitton’s and Ghesquière’s strength, as the France Résidence has always embodied the icon of greatest advancement. For the Louis Vuitton fall/winter 2016-2017 ready-to-wear selection athleisure-inspired items got beautifully along with visual styles and fantastic developing abilities, making it possible for the models’ systems to be almost geometrically formed.
Visible border and printing similar to corsets and aide were the collection’s key information, taking whole ‘inside-out’ pattern to a completely new stage. To boost the inside-out idea Ghesquière had fun enjoying with color-blocking elements as well, among which red, natural and red shades were particularly recognized. Such option provided the overall selection some type of superheroine feelings, as most of the suggestions seemed liked contemporary wearable editions of Amazing Comics’ outfits. On the other side, the athleisure feelings got converted to t-shirt outfits, simple t-shirts with shaded geometric styles, yoga exercises trousers in edgy set and even a unique multiple that mixed university overcoats and mid-calf vests together.
As for the silhouettes, Ghesquière particularly experienced emphasizing the shapely numbers, embellishing most of his suggestions with curved dark-toned areas of materials at the waists. Peplum numbers are of course to be considered here as well, as they became the only protagonists once the display was illustrating to a near. Other exciting numbers involved irregular cleavage lines, irregular double-breasted zip-front overcoats, irregular frilled border for almost any mermaid outfit and, overall, anything irregular normally. He then used differences by changing all these irregular sharp-cut suggestions with more comfortable nerdy sweatshirts and beautiful mannish layers.
In the ideal Louis Vuitton custom, Ghesquière took the time to add high fashion hits here and there, to be particularly seen in the overstated caps, fur and complex sparkling elaborations and, of course, in the equipment range, with the purses and purses and fantastic footwear being just the frosting on the dessert. The collection’s ending compensated respect to Résidence Margiela’s famous trompe l’oeil sequined frocks, which also provided the gathering some stunning 90's feelings. Thanks to Louis Vuitton, the future drop year won’t be tedious for sure!
Photos complimentary of Vogue
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