 |
Photos from Vogue |
Cyprus-born Hussein Chalayan is a long-time habitué at the Paris Week, where he always appeal us with his impressive designs. The recently released Chalayan fall/winter 2016-2017 ready-to-wear selection completely symbolizes the style designer’s trial soul and innovative heart, although being less impressive than his past selections (especially compared to his F/W 2000-2001 selection, wherein he changed a desk into a dress, not to discuss the 2007 dress layers that generally designed themselves).
The selection was overall nicely stylish with its mannish reduces, plenty of stylish pleats and smooth components, with the only exemption of a risqué nude look and a few nasty styles ornamented with visual printing of German created terms. That shouldn’t however be amazing, as Chalayan always likes to connect fashion with other types of art, such as literary works, viewpoint and especially structure. He is also extremely vulnerable to such as state policies and contemporary social sources to his suggestions, as one of his greatest is designed is being entertaining with his viewers (all of this often results in his designer being compared to efficiency art shows).
For this drop 2016 ready-to-wear selection, Chalayan particularly attracted motivation from structure and characteristics, mixing what seemed like Cubist natural circumstances with city street-style oscillations. The collection features both organized and deconstructed items, which delicately transform into complicated structural types that seem to be really confuse to put on. Although mainly presenting sharp-cut silhouettes, Chalayan experienced emphasizing the fluidity and balance of the determine too thanks to some ethereally delicate sinuous suggestions, which gently cover the higher parts of the systems and sensually improve the shoulder area.
Trapeze t-shirt outfits and large frocks are the collection’s key-pieces, as they got combined with the androgynous feelings present and seem to be motivated by the many London, uk or Berlin’s suv societies of the 90's. Off-white background scenes with ecru styles, black red, black and grey are the collection’s main shades, with the only exemption of a shiny violet hue used to improve most of the outfits’ system shoes. Such a choice features the collection’s structural side even more, as it completely symbolizes the shades we will probably get used to seeing in the next post-modern impressive places.
Not entirely pleased with his post-modern perspective on fashion, Chalayan targeted on post-gender too, developing loose gauzy pants that could fit any sex without any kind of limitations. Other attractive genderless suggestions include deconstructed overalls (which also take a unique athleisure turn), spacious sweatshirts and, of course, large matches.
As for components used, Chalayan definitely was less trial now in evaluation with his past selections, but did not however skip the chance to add attractive natural leather places and luxurious record accessories to his ending clothing. Finally, if you are particularly delicate to the cold, attempt to add one or two of Chalayan’s items to your wish list!
Photos from Vogue
0 Comments