 |
| Photos from Vogue |
Every time we push into Anna - Sui’s vegetables and fruits of creativity, we just want to bow down to her for molly-coddling us with so many gemstone shades and brilliant shades and with so many printing and elements included just one look. The Anna - Sui fall/winter 2016-2017 RTW selection was no different, tossing us into psychedelic state of hypnosis and pop lifestyle thus considering the understanding of the “Pop-sydelic” appellation that the developer known as the selection with.
The starting of the show created it magnificent that the developer had pushed herself to search into the most psychedelic pieces of the art history to cherry-pick the numbers so close to her center and so similar in terms of creating stressful mélange of colours and printing. We could get lots of the subjective lines, minds and hearts and blossoms and insane color mixtures occurring in the works of the France artist and artist Niki de St. Phalle. The popular “Nanas”, three sexy dance women or the Tarot card Garden hallucinogenic pictures were quite palpable on a sequence of Ould - Sui apparel – a baby-doll outfit with graceful fleshlight sleeves all wrapped with unshapely iridescent elements, another delicate one on Jamie Bochert with two flower units and a center shape was an obvious innuendo to one of the dance Nanas, while another soft silk midi outfit was providing some swings of Niki de St. Phalle’s art on the base level.
 |
| Photos from Vogue |
The selection was also overwhelmed with the jewel-toned shades of the German-American artist, Rich Lindner, with the great smoky red and fuchsia shades a la Japanese people developer and photo shop Tadanori Yokoo and with the disorderly environment on the 8th studio room record of the Beatles, the Sgt. Pepper’s Alone Hearts Team Group designed by Chris Blake.
Photos from Vogue
There were a lot of baby-doll outfits whether designed out of featherweight materials, ribbons or velvety and ornamented either with organic elements or some subjective printing, the psychedelic attract of which was just reduplicated when combined with green, red or violet leggings. But those leggings with itty-bitty flower printing were really lotion of the plants especially when joined with the related outfits.
There were also kaleidoscopic maxi dress outfits with filter silhouettes with bodices varying from clothing designs to some ruffle information and a range of pantsuits and dress matches that were a retrospective look to the Moving 1960s, while the Mongolian layers with goat hair whether done up in large types or in more small types created us take in easily again to get in into winter equipped to the teeth.
The Ould - Sui drop 2016 collection seemed to include every possible design – minds and hearts, celebrities, small or large blossoms, cats, warm tigers, seeing celebrities, bows, lines, ladies with hits and benefits knows what else. And no wonder the Enhance popular clothing developer, Ann Hulanicki, who was seated front row and who had damaged in the design of a baby-doll outfit of the selection, called Ould - Sui the actual to mix the designs, who had the advantage over the other developers in the area, for sure.
Photos from Vogue
No comments:
Post a Comment